翻訳と辞書
Words near each other
・ Kanzach
・ Kanzach (river)
・ Kanzaki
・ Kanzaki District
・ Kanzaki District, Hyōgo
・ Kanzaki District, Saga
・ Kanzaki District, Shiga
・ Kanzaki Station
・ Kanzaki Station (Kagawa)
・ Kanzaki Station (Saga)
・ Kanzaki, Hyōgo
・ Kanzaki, Saga
・ Kanzakigawa Station
・ Kanzala
・ Kanzan Egen
Kanzan Shimomura
・ Kanzanji Ropeway
・ Kanzaq
・ Kanzashi
・ Kanze
・ Kanze Nobumitsu
・ Kanzeh Rud
・ Kanzel (Bavarian Forest)
・ Kanzelbach
・ Kanzelhoehe Solar Observatory
・ Kanzelwand
・ Kanzem
・ Kanzen Shouri Daiteioh
・ Kanzen Teruya
・ Kanzeon Zen Center


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Kanzan Shimomura : ウィキペディア英語版
Kanzan Shimomura

was the pseudonym of a nihonga painter in Meiji through to the early Shōwa period Japan. His real name was Shimomura Seizaburō.
== Biography ==
Kanzan was born in 1873 in Wakayama city, Wakayama prefecture into a family of hereditary Noh actors.
Having moved to Tokyo at the age of eight, Kanzan studied under Kanō Hōgai, and after Hōgai's death, under Hashimoto Gahō. He graduated first in his class at the ''Tōkyō Bijutsu Gakkō'' (the forerunner of the Tokyo National University of Fine Arts and Music), and became a teacher at the same institution in 1894.
When Okakura Tenshin left government service to establish the Japan Fine Arts Academy (''Nihon Bijutsuin''), Kanzan joined him, together with Yokoyama Taikan and Hishida Shunsō. However, Kanzan returned to his teaching post at the Tokyo Bijutsu Gakkō from 1901–1908, with a hiatus from 1903–1905, when he went to study in England.
From 1914, he helped reestablish the Japan Fine Arts Academy, and in 1917 was appointed a court painter to the Imperial Household Agency. He served as a judge for both the ''Bunten'' and the ''Inten'' Exhibitions.
In terms of style, Kanzan was influenced by the ''Rimpa'' and the ''Kanō'' schools, as well as early Buddhist paintings and Tosa school ''Emakimono.'' To these elements, he combined the realism developed from his exposure to western art works during his stay in England.
One of his representative works is a ''byōbu'' titled ''Yoroboshi'' or "The Beggar Monk" was created in 1915 in colored ink and gold leaf on paper. It is currently housed in the Tokyo National Museum, and is registered as an Important Cultural Property by the Agency for Cultural Affairs. The screen depicts a scene from a famous Noh play of the same name. In the scene, blind monk, has been falsely accused of a crime. Disowned by his family he wanders about, living as a vagrant. Although he is now blind, he has become one with the universe and can see all that surrounds him. Kanzan borrowed heavily from Momoyama period and Edo period style and composition, and the work shows a strong ''Rimpa'' influence.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Kanzan Shimomura」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.